PRESERVING CAPE HERITAGE AND CULTURE THROUGH EXPLORING VISUAL ARTS AND EDUCATION
Current Artists
Support marginalized artists by purchasing artwork and prints.
Part of the proceeds go towards sustaining OCTH, to continue providing practical support to marginalized artists, telling stories about culture and traditions, while educating and preserving cultural history and heritage through art.
EMPOWERING MARGINALIZED ARTISTS BY PROVIDING PRACTICAL SUPPORT TO SHOWCASE THEIR ARTWORK
Born in Strandfontein, she finds joy and beauty in the world around her and aims to engage with the audience, encouraging them to contemplate their own life experiences. Titus aims to capture the essence of the African community as a whole through the use of vivid and striking colours in her paintings.
Embracing the rich tapestry of her cultural background, with roots in Namibia, she immerses herself in the traditions, customs, and stories passed down through generations.
In the exhibition, she delves into culture by exploring her identity, recognizing that her cultural heritage is an intrinsic part of her being.
Our Cape Town Heritage is happy to showcase the artwork of Gary Frier. Born in Kuilsriver, he is an artist and art therapy facilitator, who uses art therapy in his practice. Frier uses different found objects and discarded materials in his portraits of people he has come across in his life as a facilitator.
Frierer's themes and subjects are culturally and socio-politically inspired. In his art, he finds inspiration in many forms of media and says that his work is about emotive reflection of his place in the world.
By drawing inspiration from ancient myths and folklore, the exhibition “EKSÊ! Echoes of Self” shows Frier's artwork that sheds light on the profound impact that mythology and culture has on promoting social well-being and unity within society.
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The Art
With each discovery, Kimberley Titus feels a deep sense of connection to her roots and a profound appreciation for the diverse perspectives that shape her worldview. Through this journey of self-discovery, she not only celebrates her heritage, but also gains a deeper understanding of the interconnectedness of her culture, fostering a sense of a new cultural identity. In honouring her past, she is empowered to confidently navigate the complexities of the present and envision a future where diversity is not only acknowledged, but also celebrated as a source of strength and beauty. Through her representations, we perceive a contemporary perspective on cultural experiences as a millennial, exploring the physical manifestations of culture.
While in the Northern Cape, Gary Frier felt a strong connection and curiosity towards individuals who embraced solitude in the vastness of their environment. He also incorporates elements from the First Nation Khoisan mythology into his artwork that he believes no longer remains in the new generations of indigenous nations who were disenfranchised by spatial apartheid planning. By drawing inspiration from ancient myths and folklore, Frier's artwork aims to shed light on the profound impact that culture and mythology have on promoting social well-being and unity within society. Through his creations, he weaves together narratives that transcend time and space, inviting viewers to contemplate the timeless wisdom and universal truths embedded in these stories.
Both Titus and Frier’s artistic endeavours serve as a bridge connecting the past to the present, fostering a deeper appreciation for the rich tapestry of human experiences and beliefs that shape our collective identity. In a world often marked by divisions, their work stands as a testament to the power of heritage and art that inspires empathy, understanding, and a shared sense of humanity across diverse cultures and traditions. The two artists anchor themselves in distinct temporal contexts; Kimberley asserts a specific viewpoint, while Frier’s interpretation of culture is characterized by fluidity and introspection.
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